Glass Throat Recordings

Initiation....




Glass Throat Recordings’ curation of musical mourning and celebration functions as a ritually expressive and eclectic form of medicinal media, evoking a nostalgia for being while deepening emotive, somatic, and spiritual connectivity through its experiential effects. Distributors, mail-order catalogs, and retailers are invited to get in touch to request a wholesale list of all available releases. Welcome folks to the
OFFICIAL digital labyrinth of GLASS THROAT RECORDINGS and the Medicinal Musicals of
spirited intent offered by Chet W. Scott and his family of the Pacific Northwest and beyond.

Exclusively through GLASS THROAT RECORDINGS, you'll discover in depth information regarding Chet W. Scott's solo medicinal musicals, through the soundscapes of: CYCLE OF THE RAVEN TALONS (formerly "Ruhr Hunter"), BLOOD OF THE BLACK OWL - MOON MOURNING EARTH - EREMITION. Including collaborative projects such as: ELEMENTAL CHRYSALIS, RAIN (also known as "Fearthainne") and CEDAR SPIRITS.

Our passion for releasing purely authentic, emotionally and ritually driven, beautifully honest art and music, has often been noted by journalists, critics and our own community to fall within: "ACOUSTIC * AMBIENT * ANIMISTIC * AVANT-GARDE * BLACKENED AMBIENT * BLACKENED FUNERAL DOOM * CEREBRAL * CEREMONIAL * DEVOTIONAL * DHARMIC * DRONE * ECO-ENVIRONMENTAL * ETHNIC * EXPERIENTIAL SHAMANISM * EXPERIMENTAL * FOLK * FUNERAL FOLK * FUSION * HALLUCINOGENIC * HARSH NOISE * HEALING * HEATHEN * KOSMISCHE * MEDICINAL * MEDITATIVE * MINIMALIST * MOURNFUL CLASSICAL * MYSTIC * NATURAL * NEW AGE * NEO-FOLK * ORGANIC * PAGAN * PANTHEISTIC * PROGRESSIVE * PSYCHEDELIC * REWILDING * RITUAL * RURAL * SACRED * SINGER/SONGWRITER * SOFT PROG * SOUNDSCAPE​ * SPIRITUAL and WORLD * " genres of underground sound.

In the spirit of tangible artifacts, our smaller first run pressings of 300 to 1,000 exclusively custom 6" (six panel) deluxe gate fold packaged compact discs as well as box cassettes are showcased within beautifully printed and professionally crafted rare paper stocks, utilizing the highest quality offset print production, foil stamping, letter pressing, varnishing, embossing and debossing available today!

​With open mind and flowing spirit, we hope you take the time to journey, to experience and embrace our recordings. We greatly appreciate your sincere interest and support folks. Authenticity is everything!

Deeply grateful, humbled and with honor,

GLASS THROAT RECORDINGS (since 1996)​

~All Rights Reserved within this website: 1996-2026~

The appellation of "Medicinal Musicals" is a genre specific intent exclusively coined by Chet W. Scott and should not be used without permission!

~This website was last updated on 4 / 17 / 2026~

Friday, April 17, 2026

Ruhr Hunter "Moss and Memory" and Alethes articles courtesy of Manifold House (Manifold Records)


Leading up to the 20th anniversary on June, 21st, 2026, of both Ruhr Hunter's "Moss & Memory" and Alethes "Aletheia" I feel incredibly grateful and thankful author V.M. Harrigan has taken the time to include thoughts regarding some of the early releases of GTR. Manifold Records was once an avid supporter and distributor of all things Glass Throat Recordings back in the 90's and early 2000's. Here are some recent thoughts regarding both of these earlier titles you may find interesting.

Both original deluxe gatefold foil stamped CD editions are still available in the Bandcamp store:




The WASP FACTORY!



Yes, this may seem like an entirely random inclusion in the Glass Throat Recordings archive. However, it stands as a humble document of a brief but formative period in my life, one that proved meaningful for many reasons. What follows is a concise account, as everything took place within the span of roughly a year. I also encourage any former members to contribute or clarify details so this record can be as accurate and complete as possible. Some of you may be hearing this music for the first time - enjoy.

In 1996, while living in Williamsburg, Brooklyn (NYC), I started a band with Eric Cooper (guitar/vocals) shortly after his brief stint with Kiss It Goodbye. Eric and I were heavily inspired by many of our early to mid 1990s contemporaries, including Craw, Dazzling Killmen, Glazed Baby, Iceburn, Today Is the Day, and Zeni Geva, as well as labels such as Amphetamine Reptile Records and Skin Graft.

We began as a three-piece and recorded a rough demo with this original lineup. That demo was never publicly released. We rehearsed in Brooklyn at Coyote Studios, which is also where the demo was recorded. It’s worth noting that during this period, three of the four songs in our live set were newly written and did not yet have lyrics; consequently, they were not included on the demo. To my knowledge, many of these songs were also untitled, and I have no recollection of their lyrical content otherwise, I would have included that information here. Perhaps Eric may be able to provide further insight. Eventually, we lost our original drummer, Matt, who went on to join the percussive theater group STOMP!. He was replaced by Jim Paradise from Go! / Hell No, and we later added a second guitarist, Greg.

As for the band’s name, nothing was ever definitively agreed upon. The name remained a point of discussion between Eric and me, and if memory serves, we may have performed our only show without an official name. “Sons of Light” and “Belial” were both considered at various points. For the purposes of this document, however, I will refer to the band as The Wasp Factory, as it was initially proposed by Eric and feels most fitting given the sound.

Our sole performance took place as part of a large holiday matinee lineup that included:

ASSTROLAND
DISTRAUGHT
MOSES
PRY
SWEET DIESEL

There may have been additional acts, though I can’t recall them with certainty. The show was held at Z-Bar in NYC, located on Avenue A, on December 22, 1996.

In the end, it was an incredibly informative and meaningful year for me, and I’m deeply grateful that this moment in time was captured. I’ve often wondered how the band might have evolved and what we could have accomplished. Now, 30 years later, it’s remarkable to reflect on the many projects these members have been part of since, as well as those that came before. These include: Bad Powers, Blood of the Black Owl, Die 116, Go!, Hell No, Human Impact, Made Out of Babies, Moon Mourning Earth, Moses, Pigs, Pushman, STOMP!, The J.J. Paradise Players Club, The Kill Van Kull, and Unsane.

I’ve uploaded our only live performance to the Glass Throat Recordings YouTube channel here: