Welcome folks to the OFFICIAL digital labyrinth of GLASS THROAT RECORDINGS and the Medicinal Musicals of spirited intent offered by Chet W. Scott and his family of the Pacific Northwest and beyond.

​Exclusively through GLASS THROAT RECORDINGS and MEDICINAL MUSICALS, you'll discover in depth information regarding Chet W. Scott's own solo and collaborative musical offerings known as: CYCLE OF THE RAVEN TALONS (formerly "Ruhr Hunter"), BLOOD OF THE BLACK OWL, the ELEMENTAL CHRYSALIS, FEARTHAINNE (also known as "Rain") and CEDAR SPIRITS.

​Our passion for releasing purely authentic, emotionally and ritually driven, beautifully honest art and music, has often been noted by journalists, critics and our own community to fall within the: "ACOUSTIC * AMBIENT * ANIMISTIC * AVANT-GARDE * BLACKENED AMBIENT * BLACKENED FUNERAL DOOM * CEREBRAL * DHARMIC * DRONE * ECO-ENVIRONMENTAL * ETHNIC * EXPERIENTIAL SHAMANISM * EXPERIMENTAL * FUNERAL FOLK * HALLUCINOGENIC * HARSH NOISE * HEALING * HEATHEN * MEDICINAL * MEDITATIVE * MINIMALIST * MOURNFUL CLASSICAL * MYSTIC * NATURAL * NEW AGE * ORGANIC * PAGAN * PANTHEISTIC * PROGRESSIVE * PSYCHEDELIC * RITUAL * RURAL FOLK * SOUNDSCAPE and SPIRITUAL" genres of underground sound.

Our smaller, first run pressings of 500 to 1,000 exclusively custom "6x6" (six panel) deluxe gate fold packaged compact discs (vinyl coming soon), are showcased within beautifully printed and professionally crafted rare paper stocks, utilizing the highest quality offset print production, foil stamping, letter pressing, varnishing, embossing and debossing available today!

​With open mind and flowing spirit, we hope you take the time to journey, to experience and embrace our recordings. We greatly appreciate your sincere interest and support folks. Authenticity is everything!

Deeply thankful, humbled and with honor,


***All Rights Reserved within this website: 1997-2017***

The appellation of "Medicinal Musicals" is a genre specific intent exclusively coined by Chet W. Scott and should not be used without permission!

~This website was last updated on 8 / 14 / MMXVII~

Sunday, October 20, 2013

40 WATT SUN (live)

Last week a few lucky souls were treated to an intimate live show from the mighty 40 Watt Sun. Terrorizer’s José Carlos Santos was in attendance, and here’s what he thought…

40 Watt Sun + Coma Wall
@ The Black Heart

It’s been a week since this little unassuming acoustic event took place, but nevertheless its effects have been immense and surely all those present that filled up the Black Heart are still reeling from it, so a week’s spiritual retreat was needed before putting pen to paper with any sort of professional distance to it.

Because 40 Watt Sun appearances are few and far between, there is a tangible air of anticipation in the air as the hour approaches (particularly because we’ve been promised new songs on top of everything).

 40 Watt Sun (Photo: Cláudia Andrade)

With hearts collectively skipping beats, the quiet and shy-looking trio of Patrick Walker, William Spong and Christian Leitch launch into new song ‘Marazion’ without so much as a previous word, and the impact of its aching beauty is immediate – though no one has heard the song before, lines such as “I’ve loved you more than that” are already felt as old favourites due to the band’s elegant, sparse and deeply heartfelt performance. Such is the case for the other three new songs unveiled tonight, all of them already feeling like old favourites to the enthralled, silenced audience. Unlike most metal or metal-related gigs, the connection between musicians and audience is established without the need for any verbal encouragement, and that bond is even stronger due to the intimate acoustic (or semi-acoustic, as William’s bass is electric) setting, and there are more than a few sneaky tears being wiped from faces as the familiar ‘Restless’ and (especially) ‘Carry Me Home’ echo through the crowd.

After this, nothing could be more perfect for an encore than a version of Songs: Ohia’s ‘Lioness’, simultaneously a fantastic last reminder of why 40 Watt Sun are one
of the most essential bands in the English underground today and a classy homage to the departed Jason Molina who left us last March. He would have loved it.

WORDS: José Carlos Santos